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Theoretically fresh, ethnographically�rich�and a pioneering effort, Dancehall: From Slave Ship to Ghetto is the only publication to date that has documented the institutional, industrial and cultural significance of Jamaican dancehall in local and transnational contexts.�
DanceHall combines cultural geography, performance studies and cultural studies to examine performance culture across the Black Atlantic. Taking Jamaican dancehall music as its prime example, DanceHall reveals a complex web of cultural practices, politics, rituals, philosophies, and survival strategies that link Caribbean, African and African diasporic performance.
Combining the rhythms of reggae, digital sounds and rapid-fire DJ lyrics, dancehall music was popularized in Jamaica during the later part of the last century by artists such as Shabba Ranks, Shaggy, Beenie Man and Buju Banton. Even as its popularity grows around the world, a detailed understanding of dancehall performance space, lifestyle and meanings is missing. Author Sonjah Stanley Niaah relates how dancehall emerged from the marginalized youth culture of Kingston's ghettos and how it remains inextricably linked to the ghetto, giving its performance culture and spaces a distinct identity. She reveals how dancehall's migratory networks, embodied practice, institutional frameworks, and ritual practices link it to other musical styles, such as American blues, South African kwaito, and Latin American reggaet�n. She shows that dancehall is part of a legacy that reaches from the dance shrubs of West Indian plantations and the early negro churches, to the taxi-dance halls of Chicago and the ballrooms of Manhattan. Indeed, DanceHall stretches across the whole of the Black Atlantic's geography and history to produce its detailed portrait of dancehall in its local, regional, and transnational performance spaces.
- Sales Rank: #1485371 in Books
- Published on: 2010-07-10
- Original language: English
- Number of items: 1
- Dimensions: 8.98" h x .66" w x 6.05" l, .95 pounds
- Binding: Paperback
- 260 pages
Review
"Stanley Niaah's knowledge of the elements of dancehall over the last two decades is firsthand and encyclopaedic...." Nadia Ellis, UC Berkeley. -- Caribbean Review of Books
"DanceHall is a fascinating and scholarly look at [dancehall music and its tie to Jamaican culture." - The Midwest Book Review
"Stanley Niaah’s knowledge of the elements of dancehall over the last two decades... is firsthand and encyclopaedic. Much of the value of this book is to be found in the way it documents the details of a culture so swiftly moving that it can seem impossible to document at all." -- The Caribbean Review of Books
From the Author
The research contained in DanceHall will benefit secondary and tertiary students locally, regionally and globally who will be able to immediately access details of Jamaica's rich cultural enterprise in its pages for a range of endeavours around secondary and advanced level explorations in a variety of formal or informal activities. It is also critical for scholars and journalists who wish to dig deeper into the historical and performative legacies and traditions of dancehall. DanceHall will also increase cultural awareness and development while building a platform for intercultural exchange, and development of strategies for engaging creative industries locally and internationally.
About the Author
Sonjah Stanley Niaah is a lecturer at the University of the West Indies, Mona Campus. The inaugural Rhodes Trust Rex Nettleford Fellow in Cultural Studies (2005), she has been teaching Cultural Studies theory and Caribbean Cultural Studies for many years. With research interests around Black Atlantic performance geographies, ritual, dance, as well as popular culture and the sacred, Stanley Niaah is a leading author on Jamaican popular culture, and Caribbean Cultural Studies more broadly. She is the Editor of Proudflesh: Journal of Afrikan Politics and Culture.
Most helpful customer reviews
4 of 4 people found the following review helpful.
Dance Hall: From Slave Ship to Ghetto
By Amazon Customer
I found this book to be well organized, accessible, refreshing and rewarding. The theoretical framework offered in the first chapter was comprehensive and engaging. This book, although rooted in the Jamaican experience, provides a framework that helps us to understand dance hall history and contemporary practice within the Caribbean and the larger Black Atlantic. As a Guyanese, this work has helped me to connect Guyana's Old Time Dance Halls,"Big Girl fetes" and contemporary manifestations such as the Plaisance Line Top Lime, and the Sunday afternoon Sea Wall lime with this wider "dance hall geography."
1 of 1 people found the following review helpful.
A fascinating and scholarly look at the music and its tie to Jamaican culture
By Midwest Book Review
Music is constantly changing and evolving through the years. "DanceHall: From Slave Ship to Ghetto" analyzes the development of DanceHall, which has both spawned a cultural movement as well as a new genre and effect on music. The styles it developed from range from American blues to reggae, and how it is linked strongly to the Jamaican ghettos of today. With connections to the growing black culture overall throughout the Americas, "DanceHall" is a fascinating and scholarly look at the music and its tie to Jamaican culture.
0 of 0 people found the following review helpful.
Five Stars
By Amazon Customer
wonderfully informative book. written like a college text. not pop lit. needed to be written.
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