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Character Animation Crash Course!, by Eric Goldberg
Download Ebook Character Animation Crash Course!, by Eric Goldberg
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Character Animation Crash Course! is a veritable Genie's lamp stuffed with everything the aspiring animator could wish for! Renowned animator Eric Goldberg's detailed text and drawings illuminate how to conceive characters "from the inside out" to create strong personalities. Classic animation techniques are analyzed and brought to life through this unique book that offers readers animated movie examples that show, in real time or frame-by-frame, the author's principles at work. Add to this Goldberg's discussions of classic cartoons and his witty, informative observations based on the wealth of knowledge he's gained during his 30-plus years in professional animation, and you have a tour-de-force guide to character animation with the classic touch.
- Sales Rank: #116598 in Books
- Brand: Brand: Silman-James Press
- Published on: 2008-07-15
- Original language: English
- Number of items: 1
- Dimensions: 9.75" h x 7.75" w x .50" l, 1.55 pounds
- Binding: Paperback
- 218 pages
- Used Book in Good Condition
Review
Best known for designing the Genie in Disney's Aladdin, Goldberg is a cartoon-comedy mater who's crafted a terrific how-to. This is not a coffee-table tome but a textbook, full of technical detail. There's plenty to engage casual browsers, though. As he diagrams what makes great 'toons tick, whether hand-drawn or CG - the physics of double takes, the best way to splat a face into an immovable object - Goldberg will leave you bug-eyed at the intricacy of the medium. A- --Entertainment Weekly, September 19, 2008
From the Author
Foreword When I first started making films, books about character animation were rare, and most were written from the distant, historical perspective of an observer. Of the meager handful of books that actually discussed how to do animation, only two were really good: Walt Disney's Tips On Animation from the Disneyland Art Corner and the classic Advanced Animation by Preston Blair. In the half century since, many animation books have been written, but still few are considered indispensable to people interested in doing animation themselves. To that exclusive club we must add the book you now hold in your hand: Character Animation Crash Course. Among Eric's many achievements is the "Friend Like Me" sequence from Walt Disney Pictures' Aladdin, a chunk of pure cartoon magic so dense that it can be enjoyed two ways: at regular speed or one frame at a time... where every aspect of Eric's astonishing embellishments, caricature, and razor-sharp timing can be savored like fine wine. In this jam-packed book and CD Eric will show you the rules for getting the most out of your animation. If you learn them well, you'll be good. If you can internalize these rules to the point where you can call upon them without thinking, you'll be exceptional. And if you learn them as well as Eric, you might even be able to successfully break a few of these rules and add to cumulative knowledge of how to make pencil lines (or pixels, clay, stop-motion models, etc.) come to life. You might even become accomplished enough to write the next great animation book. Good thing the rest of us don't have to wait until then. We have this terrific book right now. Brad Bird -- Writer / Director, The Iron Giant, The Incredibles, Ratatouille
From the Inside Flap
"As Disney Animation great Ollie Johnston always told me, "It's not the tools that create great character animation, it's what you do with those tools." Eric's book is a terrific how-to that clearly explains the tools and the techniques for great animation in any medium. People always ask me, "How do I get started in animation?" Now I know the answer...read the Character Animation Crash Course book by Eric Goldberg!" John Lasseter - Chief Creative Officer, Walt Disney and Pixar Animation Studios
"Eric's book and CD are a first in the industry. They represent a one-of-a-kind bible for artists, teachers and fans of animation from one of the modern masters of the craft." Don Hahn - Producer, The Lion King, Beauty and the Beast
"I can't think of anyone more qualified to put together a book like this. Eric covers everything, from basic nuts and bolts to advanced technique in a clear, simple, entertaining way, just like his animation. This should be on the bookshelf of anyone who wants to know more about this elusive art form." Ron Clements - Director, The Little Mermaid, Aladdin, Hercules
Most helpful customer reviews
0 of 0 people found the following review helpful.
DOES NOT COME WITH A CD.....publisher customer service sucks!
By Amazon Customer
I was excited to get this book.I waited patiently for it to arrive and when it did I noticed something..THERE IS NO INCLUDED CD. This new version requires you to view example videos online.I called the publisher SILMAN-JAMES PRESS and explained my situation. I do not have regular connection to the internet (yes there are some of us out there that do have this problem) and because of this the online example videos are pretty much useless. I asked if there was a way I could download the videos and they said that No that is not something the author wants. I asked them if they were referring to Eric Goldberg and the person on the phone said "yes".
I already own The Animators Workbook, Illusion of Life and I was excited to get this book from Eric Goldberg. I gave this book 1 star specifically directed at the customer service connected with this book.
Eric Goldberg is a wonderful animator, but this customer service (from his publisher) for a book that he has written completely sucks.
0 of 0 people found the following review helpful.
Excellent Resource, Perfect For Beginners
By CT
This is a great book for people who want to learn about the technical process of animation. The terms are defined, relations are established and the universal features of the process are outlined in a friendly, approachable manner. Of course, the best book for learning animation is Preston Blair, but young people may be turned off by its 40's style. This book will, for instance, help teach them that the techniques in Blair are not specific to the way Blair draws. Williams book goes into far more detail, but the wealth of detail may intimidate a neophyte.
0 of 0 people found the following review helpful.
You need to get this book.
By Fred C.
I am a self taught computer animator so this book is really a gold mine of information for someone like me, when you can't afford to go to animation school or there is none around you then every bit of information you can learn from someone of Eric Goldberg's caliber is really valuable. After reading this book I think I will have to give serious thought into using a traditional animator's dope sheet especially when planning my animations. I also don't think i will ever look at breakdown poses in quite the same way again.
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